On the one hand the architecture of Chandigar by Le corbusier, which becames a metafor of lines and shapes to contemplate where the details of the structures disappear to reveal its essence.

On the other hand a naked body or a flleting face which is in its essence, transcient.

The opposition between the structures of the permanent architecture and the naked body or flletings faces disappearing try to refer to the trascendence of the human being an to the relative permanence of creation.